The Lottery and Other Stories-9780141191430

The Lottery and Other Stories by Jackson, Shirley

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Author: Jackson, Shirley

Fiction & related items

Published on 1 October 2009 by Penguin Books Ltd (Penguin Classics) in the United Kingdom as part of 'the Penguin Modern Classics' series.

Paperback | 320 pages
131 x 198 x 25 | 242g

'Shirley Jackson's stories are among the most terrifying ever written' Donna TarttThis is the definitive collection of Shirley Jackson's short stories, including 'The Lottery' - one of the most terrifying and iconic stories of the twentieth century, and an influence on writers such as Neil Gaiman and Stephen King.

In these stories an excellent host finds himself turned out of home by his own guests; a woman spends her wedding day frantically searching for her husband-to-be; and in Shirley Jackson's best-known story, a small

farming village comes together for a terrible annual ritual. The

creeping unease of lives squandered and the bloody glee of lives lost is chillingly captured in these tales of wasted potential and casual

cruelty by a master of the short story.

Shirley

Jackson's chilling tales have the power to unsettle and terrify unlike any other. She was born in California in 1916. When her short story The Lottery was first published in The New Yorker

in 1948, readers were so horrified they sent her hate mail; it has

since become one of the greatest American stories of all time. Her

first novel, The Road Through the Wall, was published in the same year and was followed by five more: Hangsaman, The Bird's Nest, The Sundial, The Haunting of Hill House and We Have Always Lived in the Castle, widely seen as her masterpiece. Shirley Jackson died in her sleep at the age of 48.

'An amazing writer ... if you haven't read any of her short stories ... you have missed out on something marvellous' Neil Gaiman'Her stories are stunning, timeless - as relevant and terrifying now as when they were first published ... 'The Lottery' is so much an icon in the history of the American short story that one could argue it has moved from the canon of American twentieth-century fiction directly into the American psyche, our collective unconscious' A. M. Homes